The first edition of Sebastião Salgado: Other Americas was published in 1985 by the French publisher Contrejour, and included photographs from Salgado's numerous trips through Brazil, Ecuador, Bolivia, Peru, Guatemala and Mexico. The Brazil-born, Paris-based photographer traveled extensively in Latin America between 1977 and 1984 to document the shifting religious and political...(展开全部)

The first edition of Sebastião Salgado: Other Americas was published in 1985 by the French publisher Contrejour, and included photographs from Salgado's numerous trips through Brazil, Ecuador, Bolivia, Peru, Guatemala and Mexico. The Brazil-born, Paris-based photographer traveled extensively in Latin America between 1977 and 1984 to document the shifting religious and political...(展开全部)

With his trademark range and independence of thought, Felipe Fernandez- Armesto sweeps aside the tidy separation between the enlightened first world' United States and Canada, and less privileged Latin America'. He shows us why it is impossible to understand the history of North, Central and South America in isolation. From the emergence of the first human civilisations throu...(展开全部)

A mayor’s inspirational story of a Midwest city that has become nothing less than a blueprint for the future of American renewal. Once described by the Washington Post as “the most interesting mayor you’ve never heard of,” Pete Buttigieg, the thirty-six-year-old Democratic mayor of South Bend, Indiana, has improbably emerged as one of the nation’s most visionary politicians. Fi...(展开全部)

'Home' is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginari...(展开全部)

'Home' is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginari...(展开全部)

（美）卡森·埃利斯（Carson Ellis） 美国插画家。1975年10月5日出生于加拿大温哥华，毕业于蒙大拿大学，现居住于美国俄勒冈州波特兰市。卡森·埃利斯曾为《荒野丛林》《作曲家已死》等多部作品绘制插图，并于2010年获得插画家协会银奖。她善于将现代、民族与想象等各种元素结合在一起，作品细节丰富、极具意味，有着很高的辨识度。

简介：“来吧凯特，来到我的怀里吧。”“你要选择什么呢，是拯救家人，还是自己逃跑？” 对于一个13岁的小女孩，独自一个人面临“诅咒”，是可怕的，而这次意外除了她，所有人都不知道，无数次轮回，无数次选择，不同的结局，她心中这个秘密，究竟如何选择？

简介：“来吧凯特，来到我的怀里吧。”“你要选择什么呢，是拯救家人，还是自己逃跑？” 对于一个13岁的小女孩，独自一个人面临“诅咒”，是可怕的，而这次意外除了她，所有人都不知道，无数次轮回，无数次选择，不同的结局，她心中这个秘密，究竟如何选择？

'Home' is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginari...(展开全部)